Rene Lalique: Art Nouveau, Symbolism And Naturalism

Whilst Rene Jules Lalique's youth years appear to be shrouded in rather of a secret, it is known that he was born to Jules and Olype Berthellemy Lalique on the 6th April 1860. For the first 2 years of his life the household lived in Ay, in the Champagne region of France, about a hundred miles to the northeast of Paris.

By 1862 the household had relocated to Paris where his dad worked as a merchant dealing in novelties. Throughout his youth years, Rene and his household made regular return visits to their rural roots to see family and friends. This is where when his love of nature began to develop. He liked to take walks with his grandfather into the surrounding countryside and woodland, where he studied nature at close quarters. Nature interested him; he enjoyed whatever about it, from plant life to animals.

He started Kurt Criter Denver his education at Turgot Lycee near the Parisian residential area of Vincennes, where he studied art and was awarded first prize in a illustration competitors during his time there.

At the age of sixteen, soon after his dad's death, Rene, in all probability, steered by his mom, launched his apprenticeship with Louis Aucoc, one of the leading Parisian jewelry experts of the day. His time there was spent assisting Louis in the development of the then popular Rococo styled fashion jewelry and discovering the tools, products and techniques of his trade. He also took night classes at the regional school of decorative arts.

Having actually completed his training, in 1878, Rene transferred to the London suburban area of Sydenham where he studied at The Crystal Palace School of Art, Science and Literature for a couple of years. During his remain in England, Lalique spent much of his extra time at London's museums; he loved them.

By 1880, Rene had actually returned the home of Paris and took up training as a carver in his spare time whilst working as a wallpaper and material designer through the day.

A year later on, he had settled into working as a expert jewelry designer for Jules Destape, this would be his career for the next twenty years. In addition to holding down a full-time job he likewise handled freelance work for a few of the bigger Parisian jewelry homes.

By 1885, Rene was working for himself. Destape retired and ownership of his business was transferred to Lalique. Now, with a completely staffed workshop and devoid of the restrictions of working for someone else, he might totally focus on his own Art Nouveau designs. Which, featured heavily in the French precious jewelry trade publication "Le Bijou" and were consulted with much adoration and imitation from his rivals. Lalique's "magic" was in the method he steered clear of the normal expensive gems-stones and precious metals , instead, concentrating more on less expensive products such as: translucent enamels, semi-precious stones and ivory etc

. By 1900, Lalique had actually reached the pinnacle of his fashion jewelry career. He exhibited at the Exposition Universelle Internationale in Paris and won global praise for the manner in which he linked symbolism and naturalism. Upset by the method that his work was continuously being copied, Rene's attention started to wander away from his jewelry "art kinds" and towards glassmaking.

By 1909, Rene had started making fragrance bottles for Coty. Prior to this time, a lot of fragrances were offered in plain bottles. Lalique drew upon his experience and produced bottles that evoked the nature of the perfume that they included. By the Nineteen Twenties, he was likewise creating bottles for some of the best French perfumeries of the age: Houbigant, d'Orsay and Molinard to name however a couple of.

Within a few years, his glassmaking talents had broadened to include: statuettes, vases, tableware, bowls and, amongst other things, architectural panels. These panels could be found aboard the best ocean liners of the day and embellishing the dining car of The Orient Express.

It didn't stop there. His glass mascots could be discovered adorning the hood of many of the more luxurious automobiles of the Roaring Twenties. These are the most looked for after antiques today.

The Lalique factory closed in 1939 for the duration of World War II. Regrettably, Rene passed away on the Fifth May 1945 and never ever witnessed its reopening.

Throughout his childhood years, Rene and his household made frequent return visits to their rural roots to see household and buddies. At the age of sixteen, quickly after his father's death, Rene, in all possibility, guided by his mom, embarked upon his apprenticeship with Louis Aucoc, one of the leading Parisian jewelry experts of the day. By 1885, Rene was working for himself. Disappointed by the way that his work was continuously being copied, Rene's attention began to drift away from his jewelry "art types" and toward glassmaking.

By 1909, Rene had actually begun making perfume bottles for Coty.